8:05 PM
I Understand Why You Don't Believe Me
Rachel Singer (She/Her)
2026, performance
I am a disabled multidisciplinary artist, disability justice advocate, certified occupational therapy assistant and educator. Though the titles of my roles appear to be separate, all of this work is interconnected. My work is centered around the ideas of being, becoming and interdependence. We live in a disconnected time of silos and separation. I work to deconstruct this illusion of separation, bringing people together to share their experiences and ideas and enter into places of remembering, embodied learning and community. I invite and facilitate the practice of imagination to explore barely tangible worlds where memory meets imagination.
8:16 PM
Still Terminal
Maggie Bridger (She/Her)
2027 (in progress), Performance
8:24 PM
The Unforgettable Dance
Mothra Liddel (She/Her)
2026, Performance
“The Unforgettable Dance”
Two years ago, I woke up one summer day without the use of my legs. A few weeks before that I began being woken from sleep in shooting pain and writhing movement that made me cry out and wouldn't stop. The sudden and dramatic onset of the neurological disease that still does not have a confirmed diagnosis. Originally called a Functional Neurological Disorder, but now there is evidence of a structural issue. The mystery continues. Misdiagnosis, maltreatment, Psychogenic, malingering, Idiopathic, iatrogenic, atypical. Occult words with obscure meanings that now ring in my head. One in a million people have this disease, it's unlikely, we don’t know, maybe it’s just in your head, you’re too young for this, we can’t diagnose you without niche and expensive tests, the drugs might make it worse, maybe drugs caused this? Are you sure you’re not lying? Drug seeking? Hysterical? Maybe you have an eating disorder. Maybe you're just crazy.
But my muscles move on their own, twist themselves up in horrific knots that don’t undo. Idiopathic dystonia, dopa-responsive dystonia, Parkinson's disease, PTSD, borderline, depression, bipolar, genetics. Constant pain, constant fog, confusion. Enduring mystery. This isn't how I wanted to be rare.
"The Unforgettable Dance" is a dance with myself, and is a performance about my cohabitation with my willful vessel. To embody myself is to embody pain, betrayal, and frustration, so to survive, I must dissociate my body. While still the object of love, it must now *be* an object, my Other. As my care team gathers evidence, I learn to lead my Other with tenderness and compassion. We dance together like a lover one can never forget.
8:32 PM
Too Many Ghosts
Gretchen Hasse (She/Her)
2026, Video
A short video about growing into myself
8:40 PM
Behind the Smiles
Ladonna Friedheim (She/Her)
Storytelling
8:44 PM
Embodied Grief
Jalisa English (She/Her)
2026, Poetry
Embodied Grief explores the reality that grief is not experienced only through tears, sadness, or memories—it can live within the body itself. The piece gives language to the physical and emotional ways grief can surface: the heaviness in the chest, the tightness in the throat, the racing thoughts, the aching head, and the unsettling feeling of carrying pain that cannot always be seen by others.The intention behind Embodied Grief is to validate the unseen experience of grief and remind readers that their pain deserves to be acknowledged rather than hidden.This piece was created to help readers recognize that grief can affect the whole person—mind, body, emotions, and spirit. It seeks to create a sense of understanding for those who continue functioning on the outside while quietly struggling within. More importantly, the work intentionally shifts the narrative from “I am grieving” to “I am still becoming.” The ending emphasizes that grief is only one part of the human experience. If grief can live within the body, then so can healing, strength, courage, resilience, and hope.